Influx of a Glance
For four days, I lived inside the Mint Gallery, located on the second floor of the California Institute of the Arts. I left only briefly to use the restroom on the same floor. During this time, I walked continuously within the enclosed space, using stones—coated in paint and dyed with indigo—as drawing tools, leaving marks along the gallery walls. Over time, the space became a record of movement and a trace of transformation.
